School Week 4 - Classical Writing

We just finished up week 4 of school, but our first week with Classical Writing - Aesop, using only the core and not the workbooks.

Our first three weeks of school I was using R&S English as written for both big girls, R&S spelling for each, and Classical Composition-Fable for Savannah.  The problems ended up being that R&S English was taking a long time, especially for Charlotte.  School, in general, was taking a long time.  Our first lesson with Classical Composition - Fable was OK, but I wasn't sold on it.  There wasn't enough explanation for certain portions of it.  And Savannah mentioned that she wasn't learning anything new with the spelling.  They are both natural spellers. 

So insert Classical Writing - Aesop.  I think we have a winner! 

I am doing R&S English 4 orally with both kids at the same time, two lessons a week.  We're skipping the composition lessons.  We apply what we are learning in grammar to 3-4 sentences from the Aesop model we are studying for the week.  I like this because we get to practice on real sentences that are never as straight forward as the canned sentences from R&S.

I dropped spelling completely.  I picked ten words from the Aesop model to analyze on the whiteboard together (separate into syllables, mark the phonograms, go over the spelling rules that apply).  Then they write the list into their notebooks twice.  Next week I will test them on the list.  They also practice spelling through dictation during the week.

The previous post has the schedule that we used.

So this is how our week with Classical Writing - Aesop went:

Monday:

Introduced the model, The Hare and the Tortoise.  I read it aloud.  We defined some of the difficult words on the board together.  Each kid read it aloud to practice oral reading (pronunciation).  Then we discussed the title, the author, the main characters, the plot, the purpose of the story, the meaning of the fable, etc.

Later that day I sat with each kid individually and we made an outline for the story (there are actually directions in Aesop on how to make a simple outline, unlike Classical Composition).  Then on their own they wrote a narration using the outline.  It worked great.

Tuesday:

The kids each read aloud the story again to practice oral reading (this time with animation/feeling).  Then we went over spelling words as described above.  I marked off a portion of the story for them to copy in their best handwriting and they copied it into their notebooks.

Later that day I sat with each kid individually and we edited their first draft of their written narration, fixing punctuation, capitalization, and making the sentences make a little more sense.  This took about 5 minutes for each child.

Wednesday:

We don't do Classical Writing on Wednesday, but I do require them to do a freewrite for 10 minutes.  This is where I set a timer and we all just write whatever we want.  The rule is that you can't stop writing, it doesn't have to be in neat handwriting, and I won't read it.  If they can't figure out something to write then they can write that over and over: "I don't know what to write.  I don't know what to write."  I give them a few topics they could write on or tell them they can write one of the poems the have memorized.  They just have to WRITE.  The purpose of this exercise is to get them over the fear of writing, or only writing when they have something perfect to put on the page. 

Thursday:

Again each kid read the story aloud to practice oral reading. 
This is the day we apply our grammar to a few of the sentences from the model, as described above.
Then they dictated to each other the copywork that they did on Tuesday.  In other words, Savannah read her copywork passage aloud to Charlotte as Charlotte writes it down without looking at the model.  They wrote this dictation into their notebooks.  Then they went over each other's dictation to make sure they wrote it down correctly, and corrected each other's mistakes. 
The point of dictation is to help them remember how to spell and punctuate correctly.  It can also be a practice in keeping a sentence in your memory long enough to write it down.

Later that day I sat with each kid and we added dialogue to their written narration.  This took about 10 minutes per kid.

Friday:

They rewrite their corrected and amplified first draft into a final product.


My thoughts:

I think this is a solid and thorough writing program and an excellent supplement to our Language Arts.  I like how we are studying one model the entire week and applying what we have learned to the model.  It makes our learning RELEVANT.  I like that.  I find it easy to implement.  I'm writing a post on the details of how I plan for the week, which I will post soon. 

For my girls, I think we will continue this pace for the rest of the year and move into Homer next year.  I don't plan on using the workbooks for Homer either.  I have found a lot of reviews talking about how people give up CW because it is so confusing to use, and I think that is because they are relying on the workbooks, wanting something easy to open and go, and don't want to, or can't, understand the Homer Core book.  I think, THINK, that for this program to be successful you have to understand the Core well enough to manipulate it to your needs and the current needs of your students.  So that is my plan.  I think this is an excellent writing program and I have every intention of sticking with it.  Then again, this is week 1 of Aesop...  I am speaking out of inexperience.  Time will tell.

Savannah's composition

This is her first composition from Classical Composition - Fable, lesson 1

Frustration with CC

Wow, crash and burn on Classical Composition today.  Day 6 we are supposed to invert the sequence of events of the fable that we are studying.  To practice, we are supposed to tell about the events of our day, backwards.  For example: "We are finally getting to do Classical Composition.  Before this, I was working with Madelynn on her handwriting and phonics instruction.  Before this, I was taking a nap.  Before this, we ate lunch."   .... etc.  Except that is dumb.  I don't know how to say it without saying "before this or that"  Neither did Savannah.  The text, however, gives a beautiful example of inversion of the fable without saying "before this" the whole time.  But I can't do it; how can I even begin to teach Savannah how to do it?

Another problem was the outline.  I was never taught how to do an outline in school (among many, many other things), and there isn't any help in CC about how to write an outline.  We're just supposed to do it.  We figured it out with the answers in the TM, but it would have been nice to have some actual instruction about outlines that I could at least read to Savannah.

*sigh*  I don't know what to do now.  I was thinking maybe we should put it aside and wait until 5th grade, but I'm pretty sure I won't know how to invert any better next year either.  Should I stick with it or drop it?

If I drop Classical Composition, I would do narration, copywork, and dictation like I did last year, and then move into Writing With Skill next year.  The positive side to WWS is that it is written to the student so it can be fairly independent, it has great reviews, and it contains more relevant writing instruction.

Or I can stick with CC and struggle through it.  Maybe that is the only hard exercise.  Another problem is that I'm not seeing the end from the beginning; where are we going with this?  I should probably finish out the week at least and try to find some more reviews about it.

I'm also rethinking my science assignment for Charlotte.  It is a lot of writing.  Maybe just read the chapters?  Write a summary?  Thinking...